I was asked to do an illustration for ‘Cape to Koppi’ - a train ride from Cape Town to the Oppikoppi music festival in the north of the country. I only had one day to do the illustration, so I decided it would be a good time to try out the screen capturing software I had been playing around with.
Después de 9 meses y 50.000 fotografías (de las cuales solo han formado parte del vídeo final unas 5.000), mi primer timelapse de flores ha terminado de formarse. Tras un largo trabajo buscando flores que abriesen rápido, aquí esta la lista de flores que han formado parte del timelapse: Lillium, hibiscus, clavelinas, orquídeas, dientes de león, lirios, margaritas, alstroemerias, peonías y nigella de damasco.
modified to ride in the tram tracks.
Realized in Bratislava, Slovakia.
The space between the tram tracks in Bratislava is 435 mm narrower than
the gauge of tracks in Prague or Pilsen (1435 mm). The wooden europallet,
a basic feature of any warehouse or storage hall, with its standartized
1200x800 mm dimensions, when modified can only run on the tracks
A new transport vehicle brings change into the spatial perspective of a passenger
in motion and generally changes the life of the city, through which the pallet can run,
guided by a map of the city lines.
/ text by Martin Mazanec /
Mackevision is proud to be along with other world-class VFX studios part of this saga: Game of Thrones, Season 4
Visual Effects Supervisor: Jörn Großhans
Visual Effects Producer: Katharina Kessler
BARCELONA in Flow-Motion - A fast moving short film….
In few other cities is it possible to walk from spectacular location to spectacular location. I had a fantastic time adventuring around Barcelona’s winding streets making this film.
Special thanks to Ferran Macià Edo and his colleagues from Agència Catalana de Turisme (Catalan Tourism Board) for helping me get access to shoot at numerous stunning locations including:
Museu Nacional d’Art de Catalunya
Gran Teater del Liceu
Museu D’Historia De Barcelona
Palau de la Música
Santa Maria del Pi
And an extra special thanks to Marta Garriga Bardalet for patiently modelling during an uncharacteristically cold and rainy day.
My time in numbers:
363 hours work
75 Hours Logistics and Travel
31 Hours Scouting and Location Finding
78 Hours Shooting
179 Hours Post Production
26014 Camera Raw Files
817gb of data
Nikon D800 DSLR
Nikon D7100 DSLR
Nikon D7100 DSLR
Nikon D3200 DSLR
Nikon 10.5mm f/2.8G ED AF DX Fisheye
NIkon 10-24mm f/3.5-4.5G ED AF-S DX
Nikon 16-35 f/4G AF-S VR Zoom Nikkor
Nikon 28mm AF f/2.8D
Nikon 50mm f/1.4G AF-S
Nikon 70-200mm f/2.8G ED AF-S VR II
Sound Design and Music: Slava Pogorelsky
Music written, composed and recorded by Lorenzo Papace.
Alizée Bingöllü : chant
Lorenzo Papace : pianet
Léa Bingöllü : scie et chant
Isabelle Royet-Journoud : balais